{"id":84646,"date":"2024-01-16T12:05:39","date_gmt":"2024-01-16T17:05:39","guid":{"rendered":"https:\/\/preprod.activ.is\/?p=84646"},"modified":"2024-01-16T12:53:19","modified_gmt":"2024-01-16T17:53:19","slug":"a-patchwork-programme-not-short-on-talent-at-clermont-ferrand-2024","status":"publish","type":"post","link":"https:\/\/preprod.activ.is\/en\/spotlight\/a-patchwork-programme-not-short-on-talent-at-clermont-ferrand-2024\/","title":{"rendered":"A Patchwork Programme: Not Short on Talent at Clermont-Ferrand 2024"},"content":{"rendered":"\t\t
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A couple months after my son was born, I committed what I imagine is a common first-time parent mistake: After changing his diaper and his outfit, I absentmindedly tossed his onesie in the trash bin. Oops!<\/p>

Oh well, right? It was just a onesie; a thin piece of cloth he\u2019d wear for, if we were lucky, another couple weeks. And yet it still held sentimental value: partly because it was adorable, but mostly because, as the first article of clothing we bought for our then unborn child, it represented the new fabric of life I had since entered.<\/p>

That\u2019s the material power of the threads that weave our everyday narratives.<\/strong> From the mental to the cultural, the emotional to the familial, these fabrics are the ties that constitute our personal tapestries \u2014 something I thought of often whilst screening for this latest iteration of Telefilm Canada\u2019s Not Short on Talent programme, for in this selection of seven Canadian shorts, a theme emerges from the patchwork: When it comes to feeling like yourself (or even feeling accepted), finding the right patterns can make all the difference.<\/strong><\/p>

Things unspool, albeit nervously, with Glad You\u2019re Out<\/em><\/a>, Matthew Moir<\/strong>\u2019s house party short that doubles as a study in anxiety. (And anxieties.) (And great wardrobe design.) Navigating a sweaty basement show and a series of cramped conversations, Cole, played by Moir, wears a knitted toque throughout it all that acts, maybe, as an emotional support hat \u2014 especially once it\u2019s offered to someone else having an off night of their own.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Matthew Moir, Molly Flood, Isabelle Grignon-Francke, Julien Cadieux<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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That\u2019s followed by Molly Flood\u2019s The Cut<\/em><\/a><\/strong>, which canoes us to a remote island in the Ontario wilderness to follow two friends (one played by Flood, eight months pregnant at the time of shooting) enjoying some time away. Between these women, however, their friendship feels frayed. Can things be bandaged? Can the connection be salvaged? The same questions are asked after an unfortunate slip of a dinner prep knife.<\/p>

Sometimes a job becomes something more when the working crew is so tight knit. That\u2019s certainly the case in Isabelle Grignon-Francke\u2019s<\/strong> short documentary L\u2019Artifice (The Sparkle)<\/strong><\/em><\/a>, which tracks one man, Kim, as he spends the summer with a travelling carnival. His tasks are varied; they include everything from setting up structures to repairing prizes (even darning stuffed animals). Gorgeous cinematography captures it all, but it\u2019s Grignon-Francke\u2019s incorporation of Kim\u2019s real passion, geology, where the short gets additional depth and shine.<\/p>

Next is Daniel le tisserand (Daniel the Weaver)<\/strong><\/em><\/a>, Julien Cadieux\u2019s<\/strong> sunny (even cute!) documentary about Daniel Robichaud, an Acadian weaver and AIDS survivor who, despite fatigue and dexterity difficulties, retreats to his loom as a form of therapy \u2014 and as a new identity. Evidently, he is an artisan; Cadieux, wisely, treats us to Robichaud\u2019s weavings as transition dividers as we learn his story. Yet there are many other wonderful patterns and colours elsewhere (the paint of New Brunswick exteriors, clothes on a laundry line, piles of rope, the galactic swirls of bowling balls) that further brighten this biography, too.<\/p>

As we see in Julien G. Marcotte<\/strong> and Jani Bellefleur-Kaltush\u2019s<\/strong> Katshinau (Les mains sales)<\/strong><\/em><\/a>, language is far more than speech patterns: it\u2019s how we intertwine with our communities. Period-perfect design transports us to the St. Lawrence Valley in 1759 \u2014 New France before the British conquest \u2014 and it\u2019s here where Marie, an enslaved Indigenous person, serves the local surgeon. But cannon fire and violence are on the horizon, and the arrival of a young girl Marie presumes to be her daughter stokes, in this mother, a fire to act.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Jani Bellefleur-Kaltush and Julien G. Marcotte, Spencer Glassman, Alexandre Isabelle<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Spencer Glassman\u2019s How\u2019d You Sleep?<\/em><\/a><\/strong> has a title that feels less like a morning greeting and more like an inquiry: \u201cPlease, tell me how you fell asleep.\u201d Glassman, directing themself, tries a combination of approaches to wind down: warm milk, lavender scents, chewable melatonin, ASMR videos. Nothing seems to truly work \u2014 but before long, the fun really unravels once stressful recurring dreams pull on the loose threads of Glassman\u2019s overactive mind.<\/p>

The last stitch that fastens this programme together is \u00c0 toi les oreilles<\/em><\/a>, Alexandre Isabelle<\/strong>\u2019s humourous (cacophonous?) short about the melodies of \u00c9tienne and his family. (They\u2019re not everyone\u2019s jam, so to speak.) As their small town\u2019s big parade draws near, \u00c9tienne strives to get the band back together, even if it\u2019ll take some convincing. Still, they\u2019ve got a float \u2014 and, most importantly, they\u2019ve got each other. Isn\u2019t that all that matters? Isabelle closes his short with a musical showstopper that gets everyone on board \u2014 and then rides off into the sunset.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Not Short on Talent is powered by Telefilm Canada. This programme screens at the Clermont-Ferrand International Short Film Market, Tuesday, February 6 at 9AM CEST \u2013 Georges-Conchon Theatre. The programme aims to increase the visibility of new Canadian short films, and to promote talent to professionals from international markets, including buyers and festival programmers.\u00a0<\/em><\/h4>

For more information contact: anthea.zeng@telefilm.ca<\/a><\/em><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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JAKE HOWELL<\/strong>
<\/em><\/p>

Jake Howell is a Toronto-based writer and freelance film programmer.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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